The Voice with a Heart Mac Wiseman Dies
He was truly loved by his fans his fellow entertainers and people in the music industry
The great Mac Wiseman, known widely as The Voice with a Heart, died this yesterday morning in an Antioch, TN rehab facility. He was 93 years of age, and had been experiencing kidney failure these past few weeks.
One could argue that there was no more distinctive singing voice in the history of bluegrass or country music than Mac’s. Never was it unclear who it was when he was singing, a quality he retained into his old age. Though his singing days were behind him, that signature tone was still evident in his speaking voice right up to the end.
Wiseman’s life in music began with the appearance of bluegrass, working with Molly O’Day before joining Flatt & Scruggs after they had left Bill Monroe. Before long, Mac also did a stint with Monroe, before launching his own career as a headliner. He found great success in his native Virginia on the Old Dominion Barn Dance in Richmond, which he worked for many years.
He recorded dozens of albums during his career, and often enjoyed sharing that he had cut more than 200 songs in his day. Early hits included Jimmy Brown The Newsboy and ‘Tis Sweet To Be Remembered in the late 1950s. A number of memorable compilation projects were made in the ’60s and ’70s with Lester Flatt and The Osborne Brothers. Later in the ’80s Mac toured and recorded with Chubby Wise, and those live shows were like a lesson in bluegrass history.
Mac was famous for arriving in town with no supporting musicians, and assembling a band from whomever was jamming or picking in the vicinity. Everyone knew his music, so he would lead a band full of strangers to the stage with confidence anywhere he went.
He was instrumental in the founding of both the Country Music Association and the International Bluegrass Music Association, and has received Hall of Fame status from both organizations.
Perhaps the highest honor he can claim is that, despite nearly 70 years in the music business, one never hears a word spoken against Mac Wiseman. He was widely and truly loved by his fans, his fellow entertainers, and people in the music industry alike.
Just prior to his passing, he had accepted an honorary Doctorate of Fine Arts from Glenville State College in West Virginia. No information about services has been announced. We will publish a more detailed career overview in the near future. R.I.P., Mac Wiseman.
Posted BlueGrass Today]
Troy Gentry’s Impact Lives On During Emotional Benefit Concert
The life of late singer Troy Gentry was honored during a benefit at the Grand Ole Opry featuring Blake Shelton, Dierks Bentley & more
It was a true celebration at the Grand Ole Opry on Wednesday, Jan. 9, as multiple generations of country music united to pay homage to their friend, the late Troy Gentry of the duo Montgomery Gentry, at the C’Ya on the Flip Side tribute concert.
The Opry house was filled to capacity with fans–or as Montgomery Gentry calls them, friends–who dedicated their time to honor the memory of Gentry, who was tragically killed in a helicopter crash in 2017. An expansive lineup that featured co-hosts Blake Shelton and Storme Warren, Dierks Bentley, Rascal Flatts, Chris Janson, Jimmie Allenand Dustin Lynch all entertained the loyal crowd with the hits that made Montgomery Gentry one of the genre’s iconic acts.
The event honored Gentry’s legacy not only in music, but in service. The inaugural concert served as a fundraising event for the Troy Gentry Foundation instituted by his wife Angie Gentry, benefiting causes they’ve long harbored a passion for including the TJ Martell Foundation, Make-A-Wish Foundation and the Journey Home Project. “Behind that smile was a huge loving heart and he loved to give to other people,” Angie said glowingly of her late husband. “He was very humble, and I think this would have floored him, all of the outpouring and emotional support and the people that called and wanted to be a part of it.”
In addition to covering their favorite Montgomery Gentry songs, the artists also dedicated their own numbers to Gentry’s memory. After an honorable rendition of “Drink Along Song,” Bentley delivered a moving performance of “I Hold On,” bringing new meaning to the lyrics. “When I did my very first motorcycle Miles & Music events, they were the first ones to say yes to that,” Bentley said of the duo’s participation in his charity ride. “And Troy, he rode with me every year. For 10 years, he had his bike out there on a Sunday, giving up time at home to be there to help raise money for the Vanderbilt Children’s Hospital.”
One of the most stirring moments of the show came when Shelton offered a poignant reflection of his 17-year friendship with Gentry, looking back on the joyful moments and hardships they endured. “He was literally like a family member to me,” Shelton described. “He was one of my heroes.” He followed the sentiment with a haunting performance of “Over You,” the CMA Award-winning song he wrote with Miranda Lambert about his late brother, recalling the sincere impact the song had on Gentry.
Allen is another artist who knew what it meant to have Gentry as a close friend. The burgeoning star, who brought the audience to its feet with a lively cover of “Hell Yeah,” shared how he met his future mentor at the gym in 2008. Upon learning about Allen’s musical aspirations, Gentry offered him his phone number, and they remained friends that day onward. “He told me, ‘man, just stay true to who you are as a person, who you are as a musician. Eventually, you’ll find your way…it’s about your moral beliefs and who you are as a person,’” Allen recounted of Gentry’s words of advice and belief in him as an artist. “That really helped me, my confidence, for a long time.”
Brice offered another one of the evening’s powerful moments with “I Drive Your Truck.” He was inspired to perform the moving song about losing a loved one by an event that occurred in the days following Gentry’s passing, when a group of his friends took his black Camaro on a joy ride to one of his favorite bars. “Everything about Troy is something to look up to,” Brice reflected. “He was humble, but he was also fun and funny. Life is so short, obviously, and he made the most of it. We all wanna try to be like that.”
The evening came to a somber, yet celebratory close when Montgomery silently walked on to the stage, kissing Gentry’s guitar before placing it in the legendary Opry circle with a single spotlight shining on it. As Gentry’s personal triumph song “Better Me” played in the background, a slideshow of his life unfolded through personal photos with family, friends and on stage alongside his longtime music partner.
“I just wanna keep his legacy alive here, man, and make sure it stays alive in Nashville, and I’m gonna make sure it stays alive on the road,” Montgomery vowed. When he returned to the stage, Montgomery was joined by all of the performers for an all-star sing-along of one of the duo’s defining hits, “My Town.” It was a moment that not only honored the Montgomery Gentry legacy, but Gentry’s timeless spirit, which could be felt in the hallowed Opry house filled with pure musicianship and the fulfilling friendships he spent his life surrounded by.
Star Of “Hee Haw” Roy Clark Dies At 85
‘Next Chance You Get Do Somethin’ Nice For Somebody Say ‘Good Day,’ Hold a Door Open’ Roy Clark
“Before we go any farther, I want to lay somethin’ on you; it’s not heavy and it’s not to imply that you don’t already do it. It’s just a reminder… to all of us. The next chance you get, do somethin’ nice for somebody – say ‘good day,’ hold a door open – and don’t wait around for a thank you… you don’t need it. And because of you, that person will go out and do something nice for somebody, and then that person will go out and do something nice for someone else, and this whole world can wind up doing nice things for each other and we can be the ones that start it.It takes all of us working together to get things done – no one does it alone. Only One did and I’m not that strong. Let’s start it – here’s to love – it’s still the best!” – Roy Clark
TULSA, Okla. – Roy Clark, the legendary ‘superpicker’, GRAMMY, CMA and ACM award winner, Country Music Hall of Fame and Grand Ole Opry member and co-host of the famed ‘Hee Haw’ television series, died today at the age of 85 due to complications from pneumonia at home in Tulsa, Okla.
Roy Clark’s decade-defying success could be summed up in one word — sincerity. Sure, he was one of the world’s finest multi-instrumentalists, and one of the first cross-over artists to land singles on both the pop and country charts. He was the pioneer who turned Branson, Mo., into the live music capitol of the world (the Ozark town today boasts more seats than Broadway). And his talents turned Hee Haw into the longest-running syndicated show in television history.
But the bottom line for Roy Clark was the honest warmth he gave to his audiences. Bob Hope summed it up when he told Roy, “Your face is like a fireplace.”
“A TV camera goes right through your soul,” says the man who starred on Hee Haw for 24 years and was a frequent guest host for Johnny Carson on The Tonight Show. “If you’re a bad person, people pick that up. I’m a firm believer in smiles. I used to believe that everything had to be a belly laugh. But I’ve come to realize that a real sincere smile is mighty powerful.” For a man who didn’t taste major success until he was 30, the key was not some grand plan but rather taking everything in its own time. “Sure,” he said, “I had dreams of being a star when I was 18. I could’ve pushed it too, but it wouldn’t have happened any sooner. I’m lucky. What’s happened has happened in spite of me.”
In fact, that’s what Clark titled his autobiography, My Life — In Spite of Myself! with Marc Elliot (Simon & Shuster, 1994). The book reminded many that there is much more to Roy Clark than fast fingers and a quick wit.
That he was raised in Washington, D.C., often surprises people. Born Roy Linwood Clark on April 15, 1933 in Meherrin, Virginia, his family moved to D.C. when he was a youngster. His father played in a square dance band and took him to free concerts by the National Symphony and by various military bands. “I was subjected to different kinds of music before I ever played. Dad said, ‘Never turn your ear off to music until your heart hears it–because then you might hear something you like.'”
Beginning on banjo and mandolin, he was one of those people “born with the music already in them.” His first guitar, a Sears Silvertone, came as a Christmas present when he was 14. That same year, 1947, he made his first TV appearance. He was 15 when he earned $2 for his first paid performance, with his dad’s band. In the fertile, diverse musical soil of cosmopolitan D.C., he began playing bars and dives on Friday and Saturday nights until he was playing every night and skipping school–eventually dropping out at 15. “Music was my salvation, the thing I loved most and did best. Whatever was fun, I’d go do that.”
The guitar wizard soon went on tour with country legends such as Hank Williams and Grandpa Jones. After winning a national banjo competition in 1950, he was invited to perform at the Grand Ole Opry, which led to shows with Red Foley and Ernest Tubb. Yet he’d always return to D.C. to play not only country but jazz, pop, and early rock’n’roll (he’s prominently featured in the recent book Capitol Rock); to play with black groups and white groups; to play fast, to even play guitar with his feet. In 1954, he joined Jimmy Dean and the Texas Wildcats, appearing in clubs and on radio and TV, and even backing up Elvis Presley.
But in 1960, he was 27 and still scrambling. An invitation to open for Wanda Jackson at the Golden Nugget in Las Vegas proved to be his big break. It led to his own tour, on the road for 345 straight nights at one stretch, and when he returned to Vegas in 1962, he came back as a headliner and recording star, with his debut album The Lightning Fingers Of Roy Clark. The next year, he had his first hit, The Tips Of My Fingers, a country song that featured an orchestra and string section. “We didn’t call it crossover then but I guess that’s what it was,” he says. “We didn’t aim for that, because if you aim for both sides you miss them both. But we just wanted to be believable.”
He was–on record and on TV, where his first appearances in 1963 on ‘The Tonight Show’ and ‘American Bandstand’ showcased his easygoing attitude and rural sense of humor. “Humor is a blessing to me. My earliest recollections are of looking at something and seeing the lighter side. But it’s always spontaneous. I couldn’t write a comedy skit for someone else.”
Throughout the ’60s, Clark recorded several albums, toured constantly, and appeared on TV variety shows from Carson to Mike Douglas to Flip Wilson. “I was the token bumpkin. It became, ‘Let’s get that Clark guy. He’s easy to get along with.'” Then came ‘Hee Haw.’ A countrified ‘Laugh-In’ with music, shot in Nashville, ‘Hee Haw’ premiered in 1969. Co-starring Clark and Buck Owens, it was an immediate hit. Though CBS canceled the show after two-and-a-half years, despite ranking in the Top 20, the series segued into syndication, where it remained until 1992. “I long ago realized it was not a figure of speech when people come up to me and say they grew up watching me since they were ‘that big’.”
A generation or two has also grown up listening to him. In 1969, Yesterday, When I Was Young charted Top 20 Pop and #9 Country (Billboard). Including Yesterday, Clark has had 23 Top 40 country hits, among them eight Top 10s: The Tips Of My Fingers (#10, 1963), I Never Picked Cotton (#5) and Thank God And Greyhound You’re Gone (#6, 1970), The Lawrence Welk-Hee Haw Counter Revolution Polka (#9, 1972), Come Live With Me (#1) and Somewhere Between Love And Tomorrow (#2, 1973), and If I Had It To Do All Over Again (#2, 1976). In addition, his 12-string guitar rendition of Malaguena is considered a classic and, in 1982, he won a Grammy (Best Country Instrumental Performance) for Alabama Jubilee.
A consummate musician, no matter the genre, he co-starred with Petula Clark at Caesar’s Palace, became the first country artist to headline at the Montreux International Jazz Festival and appeared in London on ‘The Tom Jones Show.’ Clark was amazed when guitarists from England credited his BBC specials and performances on variety TV shows with the likes of the Jackson 5 for inspiring them to play. But the highlight of his career, he said, was a pioneering, sold-out 1976 tour of the then-Soviet Union. “Even though they didn’t know the words, there were tears in their eyes when I played Yesterday. Folks there said we wouldn’t realize in our lifetime the good we’d accomplished, just because of our pickin’ around.”
When he returned in 1988 to now-Russia, Clark was hailed as a hero. Though he’d never bought a joke and doesn’t read music, the self-described, and proud of it, “hillbilly singer” was that rare entertainer with popularity worthy of a star on the Hollywood Walk of Fame and respect worthy of the Academy of Country Music’s Pioneer Award and membership in the Gibson (Guitar) Hall of Fame; an entertainer who could star in Las Vegas (the first country artist inducted into its Entertainers Hall of Fame), in Nashville (becoming the 63rd member of the Grand Ole Opry in 1987), and at Carnegie Hall. Roy was inducted into the Country Music Hall of Fame in 2009.
Roy’s many good deeds on behalf of his fellow man led to him receiving the 1999 Minnie Pearl Humanitarian of the Year Award from TNN’s Music City News Awards. In October, 2000, he was inducted into the Oklahoma Music Hall of Fame, and he was actively involved with school children who attend the Roy Clark Elementary School in Tulsa, Okla.
From his home in Tulsa, where he moved in 1974 with Barbara, his wife of 61 years, Clark continued to tour extensively. For him — and for his legion of loyal fans — live performance was what it was all about. “Soon as you hit the edge of the stage and see people smiling and know they’re there to hear you, it’s time to have fun. I keep a band of great young people around me, and we’re not musically restrained. It’s not about ‘let’s do it correct’ but ‘let’s do it right.’” At the end of each of Roy’s concerts, he would tell the audience, “We had to come, but you had a choice. Thanks for being here.” With responding smiles, audiences continued to thank Roy for being there, too.
Roy is preceded in death by his beloved grandson Elijah Clark who passed at the age of fourteen on September 24, 2018. Roy is survived by Barbara, his wife of sixty-one years, his sons Roy Clark II and wife Karen, Dr. Michael Meyer and wife Robin, Terry Lee Meyer, Susan Mosier and Diane Stewart, and his grandchildren: Brittany Meyer, Michael Meyer, Caleb Clark, Josiah Clark and his sister, Susan Coryell.
A memorial celebration will be held in the coming days in Tulsa, Okla., details forthcoming.
“Roy Clark was one of the greatest ever. His spirit will never die. I loved him dearly and he will be missed.” – Dolly Parton
“When I came to Nashville, Roy was one of my favorite stars. I loved the way he hosted the CMA’s and Hee Haw. It was always an honor to be on the same stage with him. I am already missing Roy’s big smile.” – Crystal Gayle
“The Halsey family’s hearts are filled with gratitude for the many years (59) of friendship and business association. He was a rare combination of talent and generosity. Roy Clark brought a special kind of healing to the world. He will be missed by the multitudes. – Jim Halsey, friend and manager
“My story is not unique. How many guitar players started with a Roy Clark guitar method book? How many guitars were sold to people wanting to play because of him? How many lives were made better because of his wit and joy? I’m one of so many.” – @BradPaisley
“When the Nashville floods wiped out most of my guitars, Roy heard about it & showed up at a show and gave me one of his. This is who this man was. Constantly giving. I owe him so much. Go say hi to my Papaw for me Roy. You left the world a much better place. #royclark” – @BradPaisley
“Roy Clark shaped my path. My Papaw introduced me to his music as a toddler. Every Saturday we’d watch Hee Haw. My first guitar book was a Roy Clark guitar method. I practiced his style, then practiced making his facial expressions. He was a hero. And so many have the same story.” – @BradPaisley
“I remember Roy as a great musician and singer. But more than that, he was a great human being. Always laughing, always uplifting to those around him. Doing shows with Roy on Hee Haw was such a wonderful experience. There is a vacant spot in Nashville now that he is gone. RIP Roy Clark” – Lee Greenwood
“Getting to REALLY know Roy Clark is one of highlights of my country career. I first met him on HEE HAW and the went on to do dozens of shows with him over the years. He was a good friend, we laughed a lot together and he loved Duke’s mayonnaise on his tomato sandwiches.” – T. Graham Brown
“My first CMA memory is sitting on my living room floor watching Roy Clark tear it up. Sending my love and respect to him and his family for all he did. – KU” –@KeithUrban
“Just got word that Roy Clark has passed. I’ve known him for 60 years and he was a fine musician and entertainer Rest In Peace Buddy, you will be remembered” –@CharlieDaniels
“Roy, thank you for always spreading laughter, kindness, and positivity. We’ll keep it goin’ for ya!” – @Opry
“Just heard Hee Haw Star / Super Picker #RoyClark just passed away. Saw him last when we filmed #CountrysFamilyReunion He was always so kind. Heaven gained another amazing addition to the Angel Band. Rest In Peace Roy” –@RhondaVincent13
“I had the honor of playing with Roy Clark on the stage of the Grand Ole Opry and many times and on the television series Hee Haw. I looked up to Roy; he was the consummate entertainer. But the things I will remember most about Roy are his big, over-the-top, cheesy grin, and how, from the moment I met him, he made me feel like I had known him forever. Roy Clark was a good man… the real deal.” –Tim Atwood
“Rest In Peace friend, brother, mentor …. Roy Clark …” – @OakRidgeBoys
“Growing up watching #HeeHaw, I knew nobody could pick-&-grin like the great #RoyClark. And his #YesterdayWhenIWasYoung is one of the great songs of Country or any kind of music. A true legend. We will miss him. #RIP” – Terry Fator
“Wonderful Roy Clark was a great talent & a kind & gentle man. We had so much fun singing & dancing together. My love goes out to his family & friends. #royclark #rip” – @TheMitziGaynor
“We’re sorry to hear about the passing of Roy Clark. Roy Clark made best use of his incredible talent. He was both a showman and a virtuoso, with a love of music that beamed across air waves and into millions of living rooms, where families gathered to watch and listen.” – @countrymusichof
“R.I.P. Roy Clark. Oh man so many memories growing up with him on hee haw. Another part of my childhood that made growing up the way I did awesome. Hee Haw, Johnny Carson, Paul Harvey among others are everywhere in my memory bank. He lived a long great life and I thank him. SALUTE” – @GitRDoneLarry
“Roy Clark was a very sweet Man that loved Jesus and country music. Heaven just got a great picker! Can’t wait to see him do some pickin’ and grinnin’ on them heavenly hay bales.” – @GitRDoneLarry
“Roy’s passing is overwhelming. It is truly the end of an era. Roy was Big Daddy for all of us. And for those of us who were blessed to know him as a friend and work with him, it hurts so deeply. He made so many of our careers possible. It offsets the deep anguish of his passing to know he is free from any suffering now and that his great talents are with us forever on the thousands of TV episodes, recordings and in our memories. His huge contribution to the music business and to so many of us personally is etched in our hearts forever. America loves Roy and we will all bless his memory, honor him and thank him forever. He was truly one of God’s good ones.” – Jana Jae
“23 years ago, Roy Clark changed my life in an instant. It is hard to put it into words, but from the moment we first encountered each other, he knew me, believed in me and took it upon himself to give me great opportunities that otherwise would never have been possible. I can only be so grateful that I had a chance in my life to reconnect with him and tell him personally exactly what he had done for me all those years ago. The other great blessing is that I was given an opportunity to develop a meaningful friendship with this man over the last few years. It brings me great peace. I would play for him, and he would just smile and become so genuinely excited. Again, at just the right moment in my life, he became a great encourager. Roy has left a lasting impact on my life. For over 20 years I’ve been telling people the stories of how he changed my life…and I will never forget.” – Kyle Dillingham
“Our deepest condolences to the family of Roy Clark. Country music has lost another giant – well-loved both for his unique talents and his generous, kind-hearted spirit.” – @OfficialRFDTV
“My friend of 46 years is gone and I am heartbroken. He could make me laugh like no other and now he makes me cry. His music will live forever and now the angels in heaven are picking and grinning. I love you always dear friend.” – Misty Rowe
“RIP Roy Clark, was an honor to pick and sing with you” – @raybensonaatw
– 2911 Media
Freddie Hart, Classic Country Singer and Songwriter, Dead at 91
Freddie won the Country Music Association Song of the Year award in 1971 and 1972
Freddie Hart, who rose to national stardom on the heels of the classic “Easy Loving,” passed away Saturday morning (Oct. 27) in Burbank, Calif. His publicist, Scott Wikle, confirmed his death on Hart’s Facebook page. He was 91.
Born Frederick Segrest on December 21, 1926 in Loachapoka, Ala., he learned the guitar at age five and quit school at 12. By the age of 15, he was old enough to successfully lie to the United States Marine Corps, and served his country in World War II. After he returned to the States, he moved to Los Angeles, where he taught classes in self-defense at the Los Angeles Police Academy.
Hart’s initial success in the industry came as a tunesmith, crafting songs for Carl Smith (“Loose Talk”), Patsy Cline (“Lovin’ In Vain”) and Porter Wagoner (“Skid Row Joe”).
Hart took a job in the backing band for Lefty Frizzell, and obtained a contract with Capitol as a recording artist, but no hits came from the deal. He fared better during a brief stint with Columbia, charting Top-20 singles with “Chain Gang” and “The Key’s In The Mailbox.” In the mid 1960s he moved to Kapp Records, but success for the better part continued to elude Hart as a recording artist.
In 1969, Hart resigned with Capitol, and soon signed with Buck Owens’ publishing company. Alas, it was with his pen that he made his initial impact for the label, writing Owens’ duet with Susan Raye, “Togetherness.” Hart was in danger of being dropped from the label when an Atlanta disc jockey began playing the B-side of a Hart single, “Easy Loving” — and the rest was history.
The song rapidly began to take flight, hitting the top of the Country Songs chart, and No. 17 on the Hot 100. The tune won Song of the Year from both the Country Music Association and the Academy of Country Music, as well as a Grammy Award. Other hits followed, “My Hang-Up Is You,” “Trip To Heaven” and ‘Bless Your Heart” among his other chart-toppers.
He remained a radio presence into the 1980s, with 1981’s “You Were There” being his final Top-40 hit, registering a No. 38 peak.
Hart continued to tour and record, with much of his later years spent focusing on gospel music. He had just finished a new record, God Bless You, which will be released soon on Nashville America Records, and was produced by David Frizzell.
The entertainer was one to diversify his earnings over the years, not totally relying on record sales. He owned a songwriting company, a school for the blind, a trucking company, and a chain of martial arts studios, where he got a chance to indulge his love of karate.
Freddie is survived by his wife of 61 years, Ginger and sons Freddie Jr., Andy, Joe and Victor. Funeral arrangements are pending.
– Billboard by